Happiness (1998)

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Happiness (1998) is a film like no other. It’s a movie that I need time away from after each viewing, it’s effortlessly hilarious, and meticulously disturbing. It makes me laugh, and it makes me… Continue reading

The Shawshank Redemption

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Frank Darabont is a director, screenwriter and producer who has been nominated for several Oscars and a Golden Globe. While he has done work on some horror films and TV shows like The… Continue reading

It Follows delivers horror with depth

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It Follows is a tight script that deftly weaves character, plot, and theme with supernatural elements without sacrificing realism. This is rare for a horror screenplay that often trade on effects, jump scares,… Continue reading

Bridesmaids

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When Bridesmaids was released in 2011, a lot was riding on its shoulders. Some said the very future of female-driven comedies depended on whether the film landed at the box office. Luckily, it… Continue reading

Shameless as the Template for My Potential Series

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          I first started watching Shameless when I was halfway through the final semester of my undergraduate degree in Screenwriting and struggling to write the pilot episode of my… Continue reading

ALIEN

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Introduction: The Art of the Title When Dan O’Bannon finished the first draft of what would become one of the best science-fiction works of the twentieth century, the typewritten title on page one was Starbeast. O’Bannon… Continue reading

IN BRUGES

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Martin McDonagh’s feature-length film debut, In Bruges, does many, many things right. More impressively, it does them without losing the distinctive voice of his previous work. Just as in his 2005 short film… Continue reading

How The Wire Changed Crime Drama

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How The Wire Changed Crime Drama 16 Apr 2012 Police procedurals have became a tired cliché on television so when a series like The Wire comes along that changes the game we stand up… Continue reading

O Brother, Where Art Thou?

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By Ethan and Joel Coen – John Demmery Green O Brother, Where Art Thou? is a fascinating work of screenwriting in its tapestry-like detail and wealth of incident. It establishes a historicized, episodic… Continue reading

Magnolia

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After countless viewings, I still get as much pleasure out of watching Magnolia as I have each time prior.  It is a rare example of a film that takes risks, that uses familiar… Continue reading